Music Journalism

From 2002 until 2007, I wrote music preview articles for The Salinas Californian, a newspaper owned by Gannett Co. The majority of these articles were published in print; some of the later ones were online only. The Californian does not have them archived, so I will post here as many as I can find.

Articles written and published in 2002

Articles written and published in 2003

Articles written and published in 2004

Articles written and published in 2005

Articles written and published in 2006

Technical Note:

Many of these articles have been scanned from the print versions and then converted to text files via OCR (Optical Character Recognition). As a result, there may be a few translation errors that I missed when I proof read them. In addition, some of the choices made by the editors struck me as strange at the time, and even stranger now in retrospect. However, I have left their changes to my writing intact as this was what was published.

A Reflection on the Music Articles, 2013:

What is very interesting to me in reviewing these articles to put them up on my site is how much the world of music, and the world in general, has changed since I wrote them, largely due to technological developments.

When I wrote the first of these articles in 2002, the Internet was not nearly the all-pervasive medium that it is today, and getting a story printed in the newspaper was still a big deal for bands, especially those starting out. Blogs were around, but they were still pretty much a techie, nerd thing at that time. Social media as we know it today had yet to be thought of - Facebook, Twitter and MySpace were yet to be created, and smartphones really weren't all that smart yet.

In terms of music distribution, CD was still where it was at, and physical stores were still where you could buy them. Around this time, I was playing a lot of gigs at Borders Bookstores (remember them?) and they all carried a large selection of music on CD. Again, mp3 as a format was around, as were digital music players, including the iPod. The ITunes Store, however, wouldn't open for another year and change the way people bought music. In the meantime, Napster was changing the way people acquired it without paying!

So overall, the musicians and bands that I interviewed were operating in a very different world from the one in which bands starting out today find themselves. They still signed to small record labels - CD Baby and DiscMakers weren't around to provide easy access to production and distribution. In many ways, a lot of things are a lot more accessible now. However, today's world is one where it is much more difficult for musicians to earn any kind of living from their craft, in some ways because of that high availability.

Looking at this list of articles (there are still some to be added and some that may be forever lost) it is also interesting to look at how many of these bands are still around, how many of the local venues have closed and so on. The world of music, on a local level or generally, is in a state of constant change and adaptation. Who knows what another ten years may bring? I will be watching with interest. In the meantime, I hope you enjoy reading some of these articles. Drop me a line by e-mail if you would like a PDF version of the original of any story. I'll gladly send you one if I have it.

- Andrew Gilhooley, May 2013